Darkness and light - Robin Yassin-Kassab wonders if this is the first Great Syrian Novel

Syria, more than most, is a land of stories and storytellers. The farmers and shopkeepers describe early Islamic battles or episodes from the Crusades as if they'd attended them in person. A gathering of friends is quickly elevated into a group performance of jokes, laments, myths and conspiracies. Even Syrian surnames suggest stories: there are families called The-Milk's-Boiled, Sip-The-Yoghurt and Undone-Belt. "The deeper you swim into our stories," a village rhetorician once told me, "the more you understand that they have no floor."


Yet Syria is better known for its poets, and its TV dramas, than for its novelists. Egypt, with its unending metropolis, is the home of the Arabic novel, and Egypt produced the Arabs' master of fiction, Naguib Mahfouz. But a flame equally bright now burns from Damascus, via Germany, as shown by what may turn out to be the first Great Syrian Novel.

In The Dark Side of Love, Rafik Schami exploits all the resources of the classic realist novel and then goes a little further, forging a new form out of Syrian orality. His basic unit is not chapter or paragraph, but story; a thousand bejewelled anecdotes and tales are buried here, ready to spring, but each is melded with such dazzling surety into the whole that reading the book is always compulsive. In its final, self-exposing passage, Schami compares his method to mosaic work, in which every shiny object is a beauty in itself, yet which in combination, at a distance, reveals a still greater beauty. The novel is even Tolstoyan in its marrying of the personal, social and political spheres, of private with national life.