Naomi Klein: Smugglers of truth
The End of America details the 10 steps that would-be dictators always take in seeking to close an open society; it argued that the Bush administration had been advancing each one. I took the message on the road, and one of those early lectures - at the University of Washington in Seattle, in October 2007 - was videoed by a member of the audience. Even with its bad lighting and funky amateur vibe, this video, posted on YouTube, has been accessed almost 1,250,000 times.
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But remember: Gore brought out his film along with his book. For all the power of video and film, I am not giving up my pen. I am just much more likely to try to link essays to webcasts or videos. The best way for these two media to move forward, to inform and make change, is in tandem; together they are more than the sum of their parts. Documentary film without nuanced journalistic sourcing risks being sensational, tendentious or broad-brushed. And these days, print without a dimension of imagery risks being flat, especially to a younger audience. So while we need not despair about the future of investigative journalism, or the power of print alone to drive change, we writers should accept the inevitable: those damn film-makers have tools we need to adapt to, and, wherever possible, appropriate. Wherever we want to turn out the deathless prose of political polemic to drive great change - well, we just have to smuggle out the video footage to go with it.
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But remember: Gore brought out his film along with his book. For all the power of video and film, I am not giving up my pen. I am just much more likely to try to link essays to webcasts or videos. The best way for these two media to move forward, to inform and make change, is in tandem; together they are more than the sum of their parts. Documentary film without nuanced journalistic sourcing risks being sensational, tendentious or broad-brushed. And these days, print without a dimension of imagery risks being flat, especially to a younger audience. So while we need not despair about the future of investigative journalism, or the power of print alone to drive change, we writers should accept the inevitable: those damn film-makers have tools we need to adapt to, and, wherever possible, appropriate. Wherever we want to turn out the deathless prose of political polemic to drive great change - well, we just have to smuggle out the video footage to go with it.
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